Thursday, 30 January 2014

Some True Facts About Melbourne's Public Transport



1.      The movements of Melbourne’s public transport are conducted by the Overlord Balthazar, the Demon God of Lateness. It is He who dictates the sacred Timetable, determines the holy Prices, and modulates the three circles of the Zones. It is He who ensures that Bus, Tram and Train never quite correlate in their arrivals and departures. It is He who has cast Doncaster (referred to by his minions as the Forbidden Zone) and Monash University Clayton into the convoluted and challenging realm of the Bus and never the Train.
2.      Balthazar’s powers of Failed Punctuality are only given strength by great heat.
3.      A Tram, Train or Bus is never ‘late.’ Balthazar’s notion of time is one that believes in its permeability and relativity; that to claim some form of transport is late, is to examine its lateness only in retrospection, rather than the circumstances of its immediate moment that are beyond the comprehension of most public transport passengers.
4.      Balthazar controls his realm from the ‘empty’ floors of Flinders St Station. Sometimes you can hear him cackling like a Train’s rattle, wheezing like a Tram’s failed air conditioning, and squealing like a Bus's breaks.
5.      Balthazar is Eternal and has a sizeable investment in the East-West Link. His Powers only increase as more people squeeze onto his vessels; His Failed Punctuality only given more of the frustrated instability it needs to function.
6.      Balthazar’s Grand High Priest is the Victorian Minister for Public Transport, Terry Mulder. His portfolio/role/sacred duty includes Excuses, Doing Nothing, and Arguing For/Building Roads.
7.      The disciples of Balthazar gather on the steps of Flinders St Station. They worship him with their grunge and poor attitude.
8.      Melbourne’s public transport inspectors refer to themselves as ‘The Hands of Balthazar.’
9.      When a Hand of Balthazar issues a fine, they refer to the slip they obtain as “my precious” and jealousy guard it until they must hand it over to the Bureaucratic Secretaries of Balthazar who put it through what they call The Process: a stamp of approval and delivery.
10.  The Hands of Balthazar are trained to be thoroughly conspicuous in all situations—a superpower enhanced by their heavy grey overcoats. This is the same for when they go undercover, where khaki and the Hawaiian shirt become their uniform.
11.  Compensation (for lateness, for cancelled ((relative term)) services, for the conduct of The Hands) is a Myth propagated by the scourge of Balthazar: the Ombudsman.
12.  Southern Cross Station is commonly referred to as The Railway Station Formally Known As Spencer St.
13.  The Frankston Line is Lost to us now.
14.  Tram drivers, or the Blind Eyes of Balthazar, have a firm belief in not seeing both people running for the tram and people already waiting at the stop. The Blind Eyes of Balthazar refer to their passengers as The Inconvenience.
15.  The Blind Eyes of Balthazar are trained to mumble any messages over the loud speaker and largely subscribe to Doctrine of the Stop-Start-Stop Method of driving, particularly in slightly dense traffic. They believe the indiscernible noises they make and the rocking motion of the tram returns their passengers to a child-like state, which keeps them placid.
16.  The 86 tram line, called the Curséd by Balthazar and the Chosen by its Riders, is the line of prophets and the wise intent of spreading the Word. They are the enemies of Balthazar and, sometimes, other passengers; although there is much to be learned as they mutter conspiracy through their red wine soaked beards and gesticulate with their veined arms that, in essentially mimicking the public transport maps, signify their Religion.
17.   Myki Ticketing is actually a sentient being: the difficult teenage child of Balthazar. Its temper tantrums include: a failure to work; taking its time; and outright robbery. The twice annual increase of ticket prices is used to subsidise Myki’s pocket money to keep it somewhat placated.
18.  Trains rarely stop at East Richmond Railway Station because it is haunted by the poltergeists of conductors. Balthazar is fearful of their ghostly practicality.
19.  Cancelled Trams, Trains, or Buses are cancelled for the transcendence of a Greater Good that Balthazar has never quite explained. The same goes for 'No Service' Trams, Trains, or Buses.
20.  All stops and stations are created equal, but some are more equal than others.

Tuesday, 21 January 2014

love me, or the point of writing


My last post on this thing was a story I wrote a few years ago that I happened to stumble across, mend a little bit and mutter to myself, ‘well, this actually isn’t too bad and I’m too lazy (also sensitive about rejection) to send it to a journal or something so I might as well publish it here and hope people bask in its utter lack of subtlety.’
It dawned on me, however, that far from exposing people to a work I thought would enlighten lives, I am really just asking people to read what I have put down and say, ‘well, isn’t he clever.’ I am a validation junkie. This is probably the main reason why I am in academics, because the academy, so enclosed and cut off from the normal functioning of the world, amounts largely to a self-sufficient circle jerk, albeit tempered at times by jealousy and contests about whose brain is the largest and whose abstract theory best captures the unknowable aspects of reality: ‘check out the size of my theory!’ ‘No, no, check out the size of my theory! Look at its swelling genius!’
And, in most of its aspects (besides being a source of emotional expulsion), A Ranting Distraction is exactly an outward expression of my constant need to be praised. Of course, it is characterized by some sincerity (and a larger share of nonsense that can be seen ((at a stretch)) to transgress via my research into Modernist movements like Surrealism) and, at least at some shallow level, I do have the intention for people to read this and perhaps uncover something in my prose (or lists) that illuminates some aspect of their own self. But ultimately I just want to be admired, which is the crutch that almost all writing leans on: a need for the stereotypical, but transcendent ideal from which all writers are birthed, bookish nerd to be loved a little bit (not that I am a bookish nerd, I’d rather think of myself as a suburban vagabond with a poetic heart … alright, a suburban bookish nerd with some minor vagabond tendencies).
Usually one would think that this desperate, and it is sort of (well, totally) desperate, reach for attention and validation would be unbecoming. It is very much a ‘look-at-me’ type syndrome that mostly elicits sighs and raised eyebrows and disapproving glances from people who think restraint the characteristic element of a well oiled society. But somehow writing often manages to evade this sense of distrust, and disapproving glances become figurative comfortable and welcome pats on the writer’s head. It is one of the very few professions where the desire to just be admired is not seen as pathetic attention-seeking, but rather an integral part of the writer’s inward expression that is given shape in the text, through words that take on their own character in public so that the initial rationale behind their delivery is lost in the appropriation of the work by its readers. The reader knows the writer is reaching for them, but they’re quick to kill them off for the sake of the work itself.
I guess the other thing about all this is that I just don’t really care if people see another blog (or whatever) of mine appear on their Facebook feed and say to themselves, ‘well have a look at this dick, just seeking more attention, what a tosser,’ and then proceed to not read it. In the end, they’re the ones losing out because I’m actually quite good at this. I may be seeking approval, but writing and then exposing this writing to people actually encompasses more than just its urge for attention, for the good writer does, and must, write with some knowledge of his audience in mind. Yet, such is the unknowable character of his/her readers, this audience can only ever truly be the writer him/herself. So in writing for validation, I am only really validating myself—the audience is blessed to witness this utterly circular generative realization, and may indeed politely applause such a maneuver, hence ensuring the continuation of validation as they partake in the author’s self-realization. In this process, the writer unveils all sorts of fun narcissistic and self-involved/obsessed tendencies thought well buried, but which force their way to the surface like a peculiarly aggressive mole that desires just the smallest dose of sunlight (and you’ll all wonder about the relevancy or symbolic tendency of that simile and I’ll just smile and have no answer but that it impressed me a little bit, or enough to write down).
By writing for you, I am writing for myself; and in writing for myself, I am validating my talent; and in validating my talent, I impress myself; and in impressing myself, I may impress you. Perhaps, you’ll let me know about how impressed you are. Or how unimpressed you are. Either way, attention, good or bad, is a glorious and about-right-rated thing.
Or you’ll think I’m a self-obsessed dick, which is also kind of true. Back to the academy with me where we, as academics, can all crow praises at each other like anyone outside this domain understands (or cares, rather) what they hell we’re doing.

Best wishes.

Monday, 20 January 2014

when gravity killed the birds


Harry Jackson woke up and looked out his window.  The sun perched distantly in the sky.  It was the sort of day where families pack a lunch and have a picnic.  The kid’s declare a lopsided war on the local ants.  Everyone has a snag.  The parents drink too much cask wine and risk the drive home in a sedate station wagon.
            Harry Jackson didn’t think much of the day.  He had always been more of a night person.  Harry Jackson’s eyes were incapable of producing tears. They were always dry and never adapted comfortably between sudden changes of light.  The glaring sun only reminded him that he was going to be partially blind for a large portion of the day.  His head began to ache as he let it float into his periphereal vision.
            Harry Jackson was about to go back to his bed when he noticed the three dead birds scattered around his lawn.  Two of them were pigeons and the other was an owl.  They had assumed the position that seemed most natural to a dead bird.  They lay spread-eagled on their backs with their thin legs pointing straight up.
            He was about to dismiss this peculiarity and leave the carcasses for the neighbourhood cats, but then Harry Jackson saw another random smattering of dead birds lying unmoving on their backs with their legs blending into the long grass on Mrs Stephanopoulos’ lawn across the road. 
            Harry Jackson was not a man whose interest was easily piqued.  He was most likely to dismiss any odd phenomena.  He considered them distractions. This ability to ignore distractions allowed Harry Jackson to lead a singularly focused life.  He never looked beyond the next horizon or even either side of the horizon.  Harry Jackson never searched for anything.
            Yet for some elusive reason that he did not care to grab hold of and examine, the sight of the dead birds strewn across his and Mrs Stephanopoulos’ lawn caused Harry Jackson to rest his forehead on the window and crane his eyes to peer down the street.
            There were dead birds everywhere. 
            Harry Jackson’s dry eyes sedately meandered back and forth. They took in the street and the birds’ graveyard it had become.  He counted different species and different sizes.  He noticed that they seemed to predominately cluster underneath trees on the nature strip. But there were also a few that had come to rest on the road, strangely unmoved by whatever traffic had passed.  There was little pattern to it, except for the uniform rigor mortis all the birds had adopted in death.  Their legs were in the air. Their toes were bent. And their wings were spread out either side of them.
            Harry Jackson stirred as if to leave his room. He wanted to inspect the birds.
Yet before disengaging from the window he noticed that Mrs Stephanopoulos appeared on her porch in a grey robe that clung to her portly figure.  Harry Jackson knew that if he went outside Mrs Stephanopoulos would engage him in conversation about the dead birds.  He didn’t feel like talking to her about the dead birds.  He didn’t feel like talking to anybody about it. 
Harry Jackson had so rarely been interested by anything that he wanted to focus on the dead birds that did interest him. The interest of other people could only be a distraction.
Reluctantly he turned away from the window and lay back down on his bed to think.  He reasoned that a strand of bird-flu was the most sensible cause of death. He was tempted to turn on the television at the end of his bed to see if the dead birds were unique to his neighborhood.  He decided against it. If this was a global happening he would have to deal with other peoples’ opinions.  So Harry Jackson lay on his bed in the quiet.  Occasionally he let his neck turn and lift so he could peer out the window at the two dead pigeons and the dead owl.
            If Harry Jackson had switched on his television he would have found that the avicide he witnessed on his street was indeed a global issue.  The plight of the Californian condor paled in comparison to the scenes of countless dead pigeons littered across cities and the thousands of toppled penguins being blown across the ice in Antarctica.  In ponds the world over ducks had overturned with their legs and webbed feet pointing to the sky.  Chicken farms were inundated with millions of dead chickens, battery and free-range, not yet ready for the market. 
            People were quick to jump to Harry Jackson’s conclusion and cried bird-flu.  People then noticed the dead bats, whose carcasses blocked cave mouths.  Then there were the insects. Ignored in the initial concern over the birds, people began to recoil from the mounds of dead flies, bees and mosquitoes that lay deceased on their backs like the birds.
            There were reports of mass ornithologist suicide.  Most threw themselves off high-rise buildings, flapping their arms and squawking. 
Chicken and turkey farmers demanded government subsidies now their income suddenly lay dead and unusable. 
Ostrich wranglers thought seriously about sheep herding. 
Like the ornithologists, entomologists cut themselves down, typically choosing to ingest huge amounts of insecticide.
Harry Jackson knew nothing of this.  His TV remained off. He had fallen asleep with his face turned toward the window. 
Harry Jackson was not one to dream.  Dreams are the product of a mind capable of appreciating distraction.  He knew this. He did not regret it. But Harry Jackson dreamed.  He dreamed that he was neck deep in a pool of dry, dead birds.  He could feel his naked legs being sliced by eagle talons. His midriff was soothed by peacock feathers.  He dreamed that he was trying to swim through this pool. It was hard for his stroke to get any rhythm. His arms were not strong enough to push through the birds.  If his dream had an end, it ended with him being pulled down by numberless beaks.
His eyes opened a little after midnight. Harry Jackson heard the sound of sirens and a sudden booming crash. He could hear ambulances, fire trucks and police cruisers.  The red glow of a fire flickered against his wall.  He arose from his bed and went back to the window.
Harry Jackson saw flame-illuminated smoke hanging in the air beyond Mrs Stephanopoulos’ house.  He saw again standing bulky in her grey robe on her porch. She stared at the sky with her back to Harry Jackson.
He was tempted to follow her line of vision. Instead Harry Jackson’s eyes went back to the two pigeons and one owl that lay still on his lawn.  In the dimmer light of the fires they looked more skeletal than they did earlier in the day.  Their black twig legs that had stood out in the sun seemed to disappear as the flames momentarily died down, then materialized back into existence as the flames sparked up again.
Eventually Harry Jackson was broken from his trance by the sound of Mrs Stephanopoulos screaming.  The sound of her desperate howl broke his concentration and for the second time that day he was distracted.  He looked up to where Mrs Stephanopoulos was staring.
In the sky Harry Jackson could see a plane dropping steadily.  There was not any resistance to its fall. It was not in a nosedive.  It seemed to be gliding. At the distance he was looking on from, Harry Jackson was sure it was falling much faster than it appeared.  He watched the plane plummet until it disapeared below the horizon.  He listened until he heard a booming thump and saw debris flying, spread out into the sky like ducks in formation.  Then he saw the glare of another fire begin and smoke gust into the air.
Harry Jackson turned his attention back to the two pigeons and one owl that lay fully illuminated in the fire of the most recent crash.  His head heavily rested against the window.  His nose was squashed and his lips slightly parted.  The bellow of sirens and planes falling to earth folded into the background. The black legs of the dead birds became Harry Jackson’s senses.
If Harry Jackson had been able to separate himself from the birds he would have seen a shirtless man running down his street crying out that the sky was falling.  If he had turned his radio on he would have heard similar chants the world over. 
Planes and helicopters with their motors still running and operating at full capacity were dragged down from the sky. Satellites were dropping from space. They pulverised the cities they hurtled into and, as they fell into the ocean, caused mini tsunamis to drown Bangladesh.  Tree houses were crumbling with toddlers still playing games of home and hospital. Kites refused to work. 
There was mindless panic.  People ran around in circles staring at the sky in hope of evading the next thing that would fall from it.  They feared that the moon itself would come down to collide with Earth.
People turned to science to provide a logical, coherent answer that would create a machine or theory or cure that would fix everything.  Scientists, though, said that they could not solve something that made no rational, scientific sense to begin with.
Religion proclaimed judgement day. God’s hand, they said, was pressing down on the Earth.  Hell was grabbing at the ankles of all who refused faith. Science and sin had too long been allowed in the sky. Humans had got too close to heaven. 
People formed pagan cults. They dedicated themselves to appeasing the sky. They argued that the sky had deemed itself too sublime for any mortal being or machine that crossed into and thus tarnished its realm.  They prayed to gravity for leniency.   
No one was bringing up the dead birds and insects anymore.
Harry Jackson heard and knew nothing.  Behind his open eyes that stared out the window, he walked through a field filled with dead bird’s feet and plane wings jutting from the ground at different angles.  Each step was harder.  The ground did not want to break touch with his shoes and with each step it gripped him tighter.
When the sun defied everything that fell and rose, Harry Jackson peeled his sweaty face off the window and lay back on his bed.  He propped up some pillows so he could rest comfortably and look out across his lawn without straining his neck to get a view of the dead birds.
Harry Jackson was a man who yearned for attainable goals.  He desired outcomes that could be fully dictated by his own clear actions.  It was because of this lifestyle that Harry Jackson was also a man who was short on hopes and dreams.  He saw no point investing in things that couldn’t be guaranteed.  He was not one to sit back and say “one day” or “I wish.”  Those hopes and dreams that float in the air were notably absent from Harry Jackson’s orbit.
It happened in a moment. Between seconds.  Gravity yanked hope and aspiration down from the sky.

Like Harry Jackson, people fell to the ground to stare at the dead birds that still lay where they had fallen. 

Thursday, 9 January 2014

Coriander Or Sour Cream & Onion?


There are two types of people in this world:

People who enjoy the serene subtly of coriander (cilantro): the spice princess of the Asian and South American culinary world; the enlightening undercurrent of flavor that brings a dish to life; the green jewel.




And

People who ejoy the cloying nastiness of sour cream & onion crisps: the tangy starchy coating on our tongues and taste buds we can all do without; the somewhat off-white; the peculiar addiction.





There can be no middle ground. You are of one camp, or the other. And if you believe both have their merits then, well, you are either: a traitor to the human kind; actually possessed of multiple personalities; or lying to yourself. 

Monday, 6 January 2014

Everyone is a Literary Critic


When I tell people that I am a PhD student in English Literature, they peer quizzically at me (sometimes they even leer) and ask, ‘what can you do with that?’

To be perfectly honest, I don’t really have much of an idea of what I can do with a PhD in English Literature beyond losing a sense of society at large in the academy as an academic. I dunno, I could be a critic, maybe work in publishing, or write more of this threateningly high/lowbrow mixed genre nonsense, even something novel-like. Perhaps with a Doctor before my name someone will mistake me for being intelligent and serious about words. Perhaps a tribal society lost to time in the jungles of Venezuela, but recently discovered, will mistake me for a God in my grasp of the particulars of language. They will call me the Reality Maker.

Who knows?

However, what has dawned on me recently is just how widespread literary criticism actually is in everyday society, particularly as it has materialized through the medium of text messaging. Everyone is a literary critic when they open up a message, read it and decipher its meaning, or tone, or underlying message. It’s one of the more amazing sights to watch a group of teenage girls (or boys, or young men, or young women, anyone really) sitting in a café, heads all bowed over a phone examining each word in a text message in the context of its broader meaning beyond the message itself. Something as straight forward as, ‘hey babez, i’ll be late tonight,’ is imbued with a meaning made transcendent by the mystery of why the messenger will be late and why in this particular message they used ‘z’ as an appendage to ‘babe.’ Why be so colloquial and oddly phonetic to deliver such a simple declaration?

I’ve watched groups of people debate about the meaning of text messages from the perspective of the personal biography of the messenger as a means to process its individual syntax—what does it say about the person?—and whether the simplicity (straight forward sort of person) or complexity (bit of a wordy bugger, but means well, or is avoiding something…) of its form are reflective of the messenger’s personality. Should these apparent aspects of their personality be taken into account if it transgresses into their writing? Does the message say something about the messenger that may add extra meaning to the message itself?

On the other hand, I have also had the peculiar pleasure of witnessing text message Formalists who deny the need to take account of the messenger when reading the message. They argue it is just blank communication with no history after the ‘send’ button has been hit; the message is governed by its own internal and immediate rules that obey the strange misspelled and grammatically awkward sphere of text messaging itself. What it is, is what it is.

With my background in literary studies I feel that there is probably money to be made in offering myself up to people to examine and breakdown their text messages. I could say to a teenage girl with boy troubles why her panicking about him cheating on her based on him saying he’ll be slightly late—made additionally cloudy by that mysterious ‘z’—is not something to worry about. It is obvious he is using the ‘z’ post-ironically, as a term of goofy endearment. Or, I could, with work, explain to her why this message actually entirely reconstitutes her reality, and that boy troubles are the least of her worries: she is become ‘babez.’


Thinking about it, I don’t know if I could deal with that much power. Back to the academy.